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Media Communications Association - International
San Diego Chapter
2009 Meeting Recaps
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December 2009
Mingle Bells!
Various local San Diego communications industry
associations including MCA-I co-sponsored MIngle
Bells 2009 on December 10th. Attendees enjoyed
rubbing shoulders with peers, hanging with
associates, and making some new connections in a
casual nightclub atmosphere at Belo on E Street
in downtown San Diego. Finger food, DJ music,
Rock Band Karaoke and raffle prizes kept the
evening entertaining. Tweeters could twitter and
have tweets show up on the monitor behind the
bar -- another fun feature to occupy the
occupants. The event was great opportunity for
creatives to let our hair down and hang loose
right before the holidays. Be sure to put Mingle
Bells 2010 on you calendar as soon as you learn
about it.
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November 2009
Going Green With Your Productions
The
meeting started with a live video tour of the
entire Groovy facility where Brent – followed by
Jim Staylor with a camera and Jeff Underwood
with a computer output to an almost live feed –
explained and demonstrated the many measures his
team has taken to make their production company
eco-friendly and a certified green business.
To view the
full meeting from the comforts of home,
click here to watch
our ustream recording of Brent's tour and the
Q&A that followed.
Guests
enjoyed delicious and sustainable pizza from
Pizza Gourmet Express and vegetarian “Neatloaf”
from Jyoti Bihanga. Jim Simcoe donated a free
consultation as the big door prize. Broadcast
Rentals donated use of their PA System. Thanks
again to all who contributed to this green
meeting.
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October 2009
Production Horror Stories
Within
a few days of Halloween, at the October San
Diego MCA-I meeting a ghoulish gathering of
production professionals shared our scary
stories of projects gone wild. Among the
accounts of crazy clients, atrocious actors, and
funky freelancers was the best/worst story by
Michael Brueggemeyer, about a union crew member
who slept through lunch and then filed a couple
grievances with the union -- one for a meal
penalty because no on woke him up for lunch and
the other for overtime since he was on the clock
while sleeping through lunch.
In
the medical profession they call events like our
get-together "Morbidity and Mortality" meetings,
wherein doctors get together to compare notes
and learn from each other how to save lives and
stamp out disease. This MCA-I meeting may or may
not result in saved lives, but the ideas and
insights gained from each participant's handling
of the various challenges will certainly save us
all some grief, time and money.
Thank you to everyone who contributed their
stories and solutions. And
special thanks to:
Alicia Eschwege of
AliVega Studios for donating her studio
space and for providing snacks and a raffle
prize for our meeting
Broadcast Rentals for providing A/V support
Bill
Bork of Lens Flair for organizing and Jim
Staylor of Staylor-Made Communications for
facilitating.
Additional raffle prizes were provided by TV
Magic and Staylor-Made Communications.
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September 2009
MCA-I
Member Showcase
Our “Members Showcase” was held on September
23rd, 2009 at
Qualcomm’s theater on Lusk Blvd., where a
good size group of members and non-members
gathered to view some of the talented work that
our San Diego MCA-I Members had to offer. The
video offerings were shown on the large screen,
with smaller screens around the room showing the
evening’s program and presenters. The evening
started with Networking, food provided by
Broadcast Rentals, and good conversation. To
his great surprise, our own Martin Banks
received a “Shining Star” award in recognition
of all he does to support our organization.
Next,
Sony Reps Jamie Raffone & Anthony Cianfarano
showed off some of Sony’s new display equipment.
Sony also provided MCA-I the use of one of their
HD Projectors, allowing us to show our members
work on both Blue-Ray and DVD. Master of
Ceremonies
Bruce Pechman, “The Muscleman of
Technology”, kept things moving along,
introducing each presenter and being the showman
that he is!.
The presenters were as follows:
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Mark
Schulze |
Crystal
Pyramid Productions |
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Bill
Bork,
Mike
Brueggemeyer,
Chad
Reese,
Michael Towe
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"Amalgamated Grommets", A 48 Hour
Film Project Team |
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Clint
Burkett |
Timeline Productions |
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Mavis
Davis |
Mavis Media Inc. |
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Christopher Francis |
New
Focal Media |
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Brent
Altomare |
Groovy like a Movie |
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Craig
Bentley |
Imageworks - A Production Company |
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Kevin
Tostado |
Tostie Productions |
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Fred
Ashman |
Multi Image Productions |
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Jeff
Underwood |
Mission Media |
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Marie
Kelley |
Kelley Productions International |
Special thanks go out to San Diego MCA-I
Boardmembers Michael Stewart and Craig Bentley
for setting up this event, along with help from
Qualcomm’s Hank Moore & technical support by
Bernie Gancarz of Broadcast Rentals, and our
Master Of Ceremonies, Bruce Pechman, “The
Muscleman Of Technology”. Last but not least,
thank you to Qualcomm for the use of their great
Theater and Sony for the use of their HD
Projector.

2009 Media Showcase
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August 2009
Summer Beach Party
This year's SDMCA-I Summer Beach Party was a small affair that was big on good times. With our pop-up canopies and volleyball net, and Craig's barbeque, we spent the day at Crown point with nothing but relaxation in mind. Bill Manning made a Costco run for burgers, dogs and fixin's, and even got stay a while! With some scrumptious side dishes from the other attendees, we had a "beach feast" that satisfied even the pickiest eater!
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June 2009
Location, Location, Location!
If the portable toilets
aren’t worth a crap, perhaps you need a new location.
Just one of the many details discussed at the June
monthly meeting about location shooting in and around
San Diego County.
The meeting started
with an overview of the meeting venue by owner of
Corporate
Helicopters, Ivor Shier. He discussed his fleet of
helicopters and showed a video of some mind-blowing
ariel photography. The Vendor’s Corner featured Jacquie
Solomon, an Independent Associate of
Pre-Paid Legal Services, Inc. who shared the
importance of being covered legally as a preventative
measure while in the field.
All productions are
shot on some sort of "location", so it was fitting that
Kathy McCurdy, Director of Feature Films at the
San Diego Film
Commission presented first. Having worked at the
Commission for over 14 years, this leading lady had seen
it all. She stressed the importance of permitting
anytime you plan to shoot in San Diego and reminded the
audience that permits are free and the process is easy.
Permits can save a load of headaches while on location.
She handed out a very useful document called, “The Maier
Location Scout & Prep Check list.” Kathy closed her
presentation by covering the cool things and places to
shoot in San Diego.
The next speaker,
Roberto de Biase, wowed the crowd with some cool
examples of what to do and what not to do on a location
scout. He stressed the importance of hiring a
professional to handle all of the location details.
Having the experience of location management and
supervision on over 270 episodics, 7 feature films, 50
commercials, still photo shoots and live events, Roberto
truly knew what he was talking about and would be a
great asset to any production.
Our third speaker,
Joesph "Josh" Oliver got into the nitty gritty of
shooting on location. A San Diego Native, and Owner of
JFO
Productions, LLC, Josh had a plethora of key
information from a producer’s standpoint. He spoke about
a lot of the details we tend to forget or overlook over.
He emphasized the importance of looking at every facet
of a location and always having a “Plan B.” He also
shared several horror stories about what can happen when
a producer under prepares for a shoot on location --
himself included. Simple things you can prepare for and
lookout for: lighting, ambient noise, accessibility of
power and water, trash pick up, parking, traffic, and,
of course, access to restrooms that will adequately
accommodate your cast and crew. This is where "portable
toilets" come into play. Never assume a residential
plumbing system can handle a large group of people on
any given location. Though they may cost a little extra,
portable toilets can save your budget.
The evening wrapped
with some Q & A where all three presenters shared their
experiences shooting on location in San Diego. A great
night had by all!
Special thanks to
Broadcast
Rentals for providing raffle prizes, and Corporate
Helicopters for providing t-shirts and the raffle grand
prize -- a helicopter ride.
Video Gear also
generously loaned the PA system for the evening.
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May 2009
Fixing Mediocre Audio and Video:
What Happens When You HAVE to Fix it in Post?
Everyone knows that acquiring
pristine audio and video is critical to the success of any
project. But what happens when your source material is less
than perfect? That was the subject of May’s San Diego MCA-I
meeting - Fixing it in Post: Improving Mediocre Audio/Video
Source Material.
The meeting started off with a vendor’s corner featuring
Richard Crow talking about the new online database for
feature films, conventions, television, conferences,
commercials, exhibitions, concerts, tradeshows, corporate
videos, documentaries, music videos called
360 LIVE.
Since sound is 50% of the picture, the first presenter of
the evening was Robert Mason. Robert is owner of
Doghouse Productions, a digital recording and post
production company that specializes in words and sounds for
film, video, and multimedia productions. In his usual,
easy-to-comprehend manner, Robert explained the complex
physics of sound to the audience. He went on to describe
how understanding physical properties is critical to making
good decisions when improving audio. As part of Robert's
presentation, he played a short snippet of dialogue that
everyone agreed sounded terrible. Utilizing some of the
fundamentals he had explained earlier, Robert took unusable
dialogue and turned it into something that was workable
while the audience watched!
After Robert finished wowing the audience with his audio
magic, Brian Kim, Creative Director of
Groovy Like a Movie stepped up to the microphone.
Groovy Like a Movie is a San Diego based video production
company with a mission to inspire people to think, feel, and
do. Brian described a range of video problems and mistakes
that people make. While there are many technical tricks and
tools to improve a bad video source (including deliberately
introducing noise, blur, or manual frame-by-frame
touch-ups), the focus of Brian's talk was on being creative
with your solutions; the most important tools in an editor's
arsenal are their brain and their creativity. Brian
finished his talk by taking a clip of the
Flinstones smoking cigarettes and turning it into
something that could have been the opening to an "Adult
Swim" style show.
Special thanks to
Canon USA and
Video Gear Rentals for providing raffle prizes, and
Empire State Filters for providing the raffle grand
prize. Video Gear Rentals also generously loaned the PA
system for the evening.
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April 2009
NAB
Wrap-up / Favorite Gizmos & Equipment That You Can't
Work Without
Thanks to TV Magic, Acme Grip
and all the presenters for a great April meeting! While not
quite as large a show as the NAB in Vegas, we had some great
vendors For those of us who couldn't get away for the
show,or see everything at the show, it was a chance to see
some of the new technology and perspectives from NAB. The
presenters treated us to Pizza, Salad, Breadsticks and
Desserts from Pat & Oscars, and brought lots of great Swag
for our raffle. We thank them for the evening of fun,
friends, and TOYS, as we explored the essence that is NAB.
Along with pictures and video
from the show floor, the following reps showed their wares:
Jaz Wray from Clear-Com
Alicia Reed from JVC
Bob Lowe from Vitec Group
Harry From Fast Forward
Cyndy with Marketec for Fast
Forward Video
Tom James from Panasonic
Reggie Watson from Sony
Stephanie Franz from Canon
Thanks to this month's
vendor's corner, Peter Kreklow from
Acme Lighting
and Grip. Peter demonstrated the Comet LED lighting
system. Keep Acme Lighting and Grip in mind for all of your
lighting and grip supply needs!
Thank you to Brendan Wood and
Empire
State Filters. Again, Brendan came through with a large
assortment of audio and video hum eliminator filters for our
meeting! These filters are all hand made by Brendan himself,
not mass produced in China, and provide the best filtering
available at any price!
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March 2009
Don’t Let the IRS or a Bad Debt Bite You in the Butt:
The RIGHT Information is Power!
The March Meeting of the
San Diego MCA-I proved that lawyers and accountant types
can be engaging and yes, even funny. The topic – Don’t
Let the IRS or a Bad Debt Bite You in the Butt: The
RIGHT Information is Power!"
About 40 members and
guests, (plus a small handful of viewers watching the
stream on the Internet) gathered in a comfortable and
well-appointed conference room at
Intuit. The social
hour included a selection of delicious appetizers and an
incredible chocolate cherry cake from
Dinners by
David.
Kicking off the meeting,
a Vendors Corner featuring Barbara Lange from San Diego
Audio Video Supply
- AVS – who let the group in on some specials from
Panasonic. AVS also provided some great door prizes
including two back packs from IDX, ball caps from
Williams Sound and playing cards from TV ONE. Other door
prizes included TurboTax Business, and TurboTax Home and
Business software from Intuit. President Jeff Gelder
began the meeting with some introductions and turned
over the reins to Connie Terwilliger who reminded
everyone that the membership drive – March Member
Madness runs through April. Not a member? Join today (or
already a member, then get a friend to join) and be sure
to put down the name of the member who referred you!
Our hosts did a brief
presentation about a new product under development at
Intuit – ExpensePro. Attendees had a chance to fill out
a brief usability questionnaire to help improve the
product. Try it for yourself at
www.expensepro.com – Intuit is currently open to new
users, and it’s free at this time. Here are a couple
more free resources from Intuit.
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www.2009stimulusforbusiness.com – helps
small businesses easily understand the benefits
of the 2009 Stimulus Plan. |
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https://w21099reporter.intuit.com –
companies hiring contractors are required to
send information to the IRS as well as 1099’s to
the contractors themselves. This site enables
small companies to create these returns for
free. |
Promptly at 7:30
our first main presenter took to the podium. David
Branfman – owner of the
Branfman Law Group
– after his typically amusing but entirely legal
disclaimer talked about the importance of knowing when
to hire a person as an employee or as an independent
contractor. The new list from the IRS asks 53 questions
to help you determine the status. Check the website for
David’s handout which includes a copy of the IRS’s SS-8
– which will give you a better idea of what the IRS
considers important in making this determination. While
you may never have to fill out one of these forms, it
will help you know if you should sell yourself as an
independent contractor – or if you should hire someone
as such. Pay particular attention to the questions in
Part II – Behavioral Control and Part III – Financial
Control.
After some great
questions, David turned over the podium to Nikki
Dell’Ara,
San Diego Business Law – who, again after making
sure that everyone understood that this was simply
information and not legal advice, helped us understand
the issues to consider when deciding to incorporate. She
covered the differences between Sole Proprietors /
General Partnerships, Corporations, and Limited
Liability Companies – stepping through many of the
advantages and disadvantages of each. While the main
reason to incorporate is to limit personal
responsibility, not everyone’s job/company would benefit
from incorporation. In fact many small operations may
find their best protection is adequate insurance. Each
situation is different and should be carefully
researched – including talking to tax preparers and
accountants to look for unexpected tax consequences of
incorporation or LLCs.
Special thanks go out to
Mark Schulze for arranging for the speakers this month,
Craig Bentley for forwarding the caterer’s information,
Phil Ferrari for arranging the Vendors Corner and Bill
Manning and Raegan Matthews for running the check-in
table. And a special thanks to Bill Bork and Bob Gardner
and Melanie Peters for helping videotape and stream the
meeting.

2009 March Meeting
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February 2009
How to Deliver HD with Style and
Grace to Clients Who Say They Need It
Our February meeting was held
at Digital Outpost, and focused on delivering HD content
your clients. With presentations by Doug Hyde and Maureen
Sweeney from "SAFE", Eva Langer from TV Magic, and featured
presentations by Brian Douglass from Digital Outpost, Rich
Ford from Hot Sprocket Films , and David Scovel from
Multimedia Production Group, we had a very full night. Door
prizes were provided by Digital Outpost, TV Magic, MPG, and
Val Reynolds from Sony. Food and Beverages were provided by
Digital Outpost and Sony.
We started the meeting with
SAFE Board Member
Doug Hyde and Maureen Sweeney from Sweeney Media Marketing,
Inc who talked about the upcoming SAFE fundraising event
April 16. SAFE, the San Diego Advertising Fund for
Emergencies (SAFE) provides financial aid in life crisis
situations to members of the San Diego County advertising
and production industry.
Eva Langer from
TV Magic
provided the vendor’s corner, and talked about the many
services that TV Magic provides.
Connie Terwlliger detailed
the International MCA-I membership drive, “March member
Madness”. For the month of March, the top 3 MCA-I members
who refer the most new members will be eligible to win
prizes ranging from Adobe CS4 Production Premium software to
a flat panel TV to a gift card from BEST BUY. the details
can be found here.
Rich Ford, Editor, Post
Supervisor & Co-owner at Hot Sprocket Films stepped in at
the last minute to give a presentation on shooting and
delivering High Def content for broadcast and on the web,
after Rob Brambila from Promax came down with Strep Throat
(we wish you a quick recovery, Rob!) Rich presented
techniques and samples from experience with PBS High Def
Broadcasting and gave compression tips for HD.
David Scovel, an account
executive at
Multimedia Production Group, presented the capabilities
of the Spyder presentation system from Vista Systems
Corporation. This video processing system can handle almost
any input and project in an extreme wide screen
configuration for seamless integration in a live
presentation. David invited those interested to a follow up
demonstration at MPG.
Brian Douglass, President of
Digital OutPost,
presented several examples of Blu-ray video
(projected using an HD projector system provided by Sony)
developed for the United States Army. He also demonstrated
his proprietary web based client access system, developed to
allow clients online access to raw footage of recent shoots
from anywhere in the world. Examples were also given working
processes involved with HD, and some of the challenges of
shooting multicamera for such clients as the US Army. After
the meeting, Brian conducted tours of the facility.
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January 2009
Budgeting and
Bidding for Video Professionals
How to Get Jobs and Profit
From Them
The San Diego chapter of
MCA-I kicked off the year teaching video pros how to be
better at budgeting and bidding. Over 60 attendees enjoyed
the fine catered food, powerful networking and exceptional
educational content. Producer and MCA-I Board member, Jim
Staylor facilitated a panel discussion with Account Manager
Michael Finn of Script to Screen, DP Mike Kurtz, and
Creative Director Cliff Pia of Millennium Creative Group.
The presentation was both entertaining and enlightening. See
below for notes and nuggets gathered by Jill Schrag of DV
Creations (thank you.)
Special thanks to:
NOTES AND
NUGGETS
Keep in your back pocket how
much the 1st, 2nd, 3rd hour of overtime costs the client,
then let them know in real time when you hit that mark what
it will cost if they want to keep going. (If it’s our fault
we’re behind, usually just eat the cost. Sometimes also eat
it to preserve relationship.)
Always ask, “What’s the
budget?” He who speaks about money first loses when it comes
to budgets. Let them say the number first.
When the client asks for more
than the scope of the work once the project is underway,
ask, “If this is added, then what do you want to take out?”
Do a Project Orientation.
Spend an entire day with the client and staff. Cover the 6
P’s:
| * |
Purpose (What’s
the title, description, length, audience,
outcome, etc). Need to know these parameters to
make a budget. |
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Pre-production
(deadlines, budgets, talent, etc) |
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Production |
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Post Production |
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Presentation |
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Pay-off (what is
success for this project?) |
Always include the date on
agreements about scope of work, so that if things change
later you can pinpoint that they changed after the
agreement.
Don’t give away your creative
before the contract is signed. Just whet their appetite, but
don’t fully disclose your ideas. Give an overview. Can give
them styleboards (images off the internet/magazines) so they
can get a feel for how you would approach it.
Idea: keep proposals to 3
pages: 1 page overview, 1 page with a rundown or scope of
work, and 1 page budget summary.
Always state what’s included
(ex: number of days, number of talent, etc.)
And state what’s NOT included
(duplication, travel, etc.)
If you aren’t a huge player
with a known reputation, include testimonials to endorse
yourself.
When you go into
negotiations, you have to know in advance what number you’re
ok with and not let it go below that number.
Two helpful tricks in dealing
with clients: 1) Be able to say No. 2) If they’re really
pushing you, just do not respond. The silence will push them
to talk next, which can lead to a resolution.
Sometimes it’s good to drag
out the process of bidding on a project (say, “let me get
back to you”), so you can build a relationship (throw out
ideas with each conversation, get connected relationally.)
Interview your clients. The
more they talk, the better listener they think you are. They
have a good feeling about the relationship.
Ask them about their job,
find out the value of the project (then remind them of that
value later when negotiating budget). These questions build
the relationship.
Ask them about a job that
didn’t go well, let them really relive that emotionally,
then say “Would you like to know what we do so that doesn’t
happen?”
Script to Screen charges $25K
just for a creative meeting (before the contract is
signed)—using their resources and staff. Plus it shows the
client is serious. It’s part of the vetting process.
Include a line item in the
budget for “variance”, aka “contingency”. Percentage depends
on what’s appropriate for that project.
Budgets: get 50% up front
when contract is signed (usually ends up being paid right
before shoot), and 50% on completion. Others say get 50% up
front, 25% at shoot, and 25% at completion. Try to have
70-80% of the money in hand by the time you’re in post,
because it can be very difficult to get that last payment at
the end.
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Page Last Updated
June 8, 2010
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